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Musical PerformanceNCT06958081

tDCS and Musical Performance in Young Orchestra Musicians

A study testing Active transcranial direct current stimulation (tDCS) in people with Musical Performance and Neuromodulation, run by Centro Universitário Augusto Motta at 1 site in Brazil.

Active, not recruiting

Under way, not looking for participants. Everyone needed has enrolled. The study is still running.

Official record
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Trial summary

The goal of this clinical trial is to learn if transcranial direct current stimulation (tDCS) can improve the technical, expressive, and stage aspects of musical performance in young orchestra musicians aged 18 to 30 years. Read more about this study

Who is it for?
Ages 18 to 30 yearsHealthy volunteers can take part
What is being tested?
Active transcranial direct current stimulation (tDCS)
Type of treatment
Medical device
Could I receive a placebo?
Yes, some participants may receive a placebo
How many people
24 participants
Where
1 siteBrazil
Study dates
1 Jun 2025to 31 Dec 2026
Phase
Interventional
Are there results?
Not yet: the study is under way

Key requirements

Who can take part, as listed by the sponsor. Only the study team can confirm whether you are eligible, so take this list to your doctor.

  • Ages 18 to 30 years
  • All sexes
  • Healthy volunteers accepted
  • Adult

Who may be able to join

  • Musicians aged 18 to 30 years.
  • Minimum of 3 years of orchestral performance experience.
  • Active participation in a stable orchestra or ensemble.
  • No history of neurological or psychiatric disorders.
  • Not currently using psychotropic medications or recreational drugs.
  • Willingness to participate in all study sessions.
  • Signed informed consent form.

Who cannot join

  • Presence of metallic implants in the head (e.g., cranial pins, aneurysm clips).
  • Presence of implanted electronic devices (e.g., pacemaker).
  • History of epilepsy or seizures.
  • Prior experience with transcranial direct current stimulation (tDCS).
  • Scalp dermatitis or lesions at the electrode placement sites.
  • Pregnancy.

Trial locations and contacts

1 site in 1 country.

Brazil1 site
  • Centro Universitário Augusto Motta (UNISUAM)

    Rio de Janeiro, Rio de Janeiro, 21041-010

Other trials in Brazil

About this study

Official title: Acute Effects of Transcranial Direct Current Stimulation on Technical, Expressive, and Scenic Aspects of Musical Performance in Young Orchestra Instrumentalists: A Proof-of-Concept Study

The goal of this clinical trial is to learn if transcranial direct current stimulation (tDCS) can improve the technical, expressive, and stage aspects of musical performance in young orchestra musicians aged 18 to 30 years. The main questions it aims to answer are:

  • Does active tDCS improve musical performance compared to sham stimulation?
  • Does active tDCS reduce music performance anxiety and increase musical self-efficacy? Researchers will compare the active tDCS group to the sham stimulation group to see if active stimulation has positive effects on musical performance and psychological factors.
Read more

Participants will:

  • Receive either active or sham tDCS stimulation
  • Perform a musical piece before and after stimulation
  • Complete questionnaires about anxiety and musical self-confidence
Read the detailed description

This randomized pilot study aims to investigate the acute effects of transcranial direct current stimulation (tDCS) on the technical, expressive, and stage aspects of musical performance in young orchestra instrumentalists.

A total of 24 musicians, aged 18 to 30 years, with at least three years of orchestral experience, will be randomly assigned to either an active tDCS group or a sham stimulation group. The stimulation will target the supplementary motor area (SMA) using a 2.0 mA anodal current for 30 minutes, with the cathode placed over Fp2. The sham group will undergo the same electrode placement, but the current will be turned off after 30 seconds.

The study will adopt a double-blind design, where neither participants, care providers, investigators, nor outcome assessors will know the group allocations. Each participant will perform a standardized musical piece before and after the intervention, and after a 2-hour interval post-intervention. Performances will be recorded and evaluated by independent expert judges using the Rubric for the Assessment of Music Performance Achievement.

Psychometric evaluations will be conducted using the Mazzarolo Music Performance Anxiety Scale (M-MPAS) and the General Musical Self-Efficacy Scale. Self-assessments of performance and sensations during stimulation will also be collected. Data analysis will compare changes in musical performance, anxiety, and self-efficacy between groups.

This study seeks to provide preliminary evidence on the potential of tDCS to enhance musical performance and psychological factors such as performance anxiety and self-confidence among young musicians. Safety and feasibility of the intervention will also be monitored throughout the study.

Being tested
Active transcranial direct current stimulation (tDCS), Sham transcranial direct current stimulation (tDCS)
Keywords
tDCS, Transcranial Direct Current Stimulation, Music Performance, Motor Control, Self-Efficacy, Anxiety
Medical subject headings
Anxiety Disorders

What participants receive

What participants receive. In a randomised study each person is assigned to one group by chance.

  • Active transcranial direct current stimulation (tDCS)Device

    2.0 mA anodal stimulation applied over FCz with cathode over Fp2 for 30 minutes using a transcranial direct current stimulation device.

  • Sham transcranial direct current stimulation (tDCS)Device

    Sham stimulation mimicking the sensations of tDCS; the current will be turned off after 30 seconds while maintaining electrode placement over FCz and Fp2.

Study groups in NCT06958081
Study groupRoleWhat they receive
Active tDCSExperimentalParticipants will receive active transcranial direct current stimulation (tDCS) with a 2.0 mA anodal current applied over the supplementary motor area (FCz) and cathodal electrode over Fp2 for 30 minutes.
Receives: Device: Active transcranial direct current stimulation (tDCS)
Sham tDCSSham comparatorParticipants will receive sham transcranial direct current stimulation (tDCS) with the same electrode placement as the active group; however, the current will be turned off after 30 seconds to simulate the initial sensations without delivering prolonged stimulation.
Receives: Device: Sham transcranial direct current stimulation (tDCS)

What is being measured

The primary outcome is the main question the study is designed to answer.

  1. Change in Musical Performance Scores (Rubric for the Assessment of Music Performance Achievement)

    Musical performance will be evaluated by independent expert judges using a standardized rubric assessing technical, expressive, and stage presence aspects.

    Measured: Baseline, immediately after intervention, and 2 hours after intervention

Secondary outcomes (4)
  1. Change in Self-Reported Musical Performance Score (0-10 scale)

    Participants will self-rate the quality of their musical performance on a 0 (worst) to 10 (best) scale after each recording session.

    Measured: Baseline, immediately after intervention, and 2 hours after intervention

  2. Music Performance Anxiety (Mazzarolo Music Performance Anxiety Scale - M-MPAS)

    Participants' levels of music performance anxiety will be assessed using the Mazzarolo Music Performance Anxiety Scale (M-MPAS), a validated 5-item instrument designed to measure cognitive, somatic, and behavioral symptoms of performance anxiety in musicians. Each item is rated on a 7-point Likert scale (0-6), with a total score range from 0 to 30 points. Higher scores indicate greater levels of anxiety, with scores ≥11 suggesting a tendency toward elevated performance anxiety.

    Measured: Baseline

  3. Musical Self-Efficacy (General Musical Self-Efficacy Scale)

    Musical self-efficacy will be assessed using the performance subscale of the General Musical Self-Efficacy Scale, composed of 11 items rated on a 7-point Likert scale ranging from 1 ("Strongly disagree") to 7 ("Strongly agree"). The total score ranges from 11 to 77, with higher scores indicating greater self-efficacy in musical performance contexts.

    Measured: Baseline

  4. Perception of Intervention Received (Active or Sham)

    Participants will report whether they believe they received active stimulation or sham stimulation, to assess effectiveness of blinding.

    Measured: Immediately after intervention

Timeline

From the start of the study to its completion; the mark is today. Estimated dates are the sponsor’s plan.

  1. First posted6 May 2025
  2. Study start1 Jun 2025
  3. Primary completion30 Sep 2025
  4. Study completion31 Dec 2026 (estimated)

Resources

More details

For doctors and researchers: how the study is designed, who runs it, and its registry IDs.

Study design
Study type
Interventional
Phase
Phase N/A
Primary purpose
Treatment
Allocation
Randomised
Intervention model
Parallel groups
Model description
Participants will be randomly assigned to either an active tDCS group or a sham stimulation group.
Masking
Triple blind
Who is masked
Participant, Investigator, Outcomes assessor
Enrolment
24 participants (estimated)
IDs, dates and publications
ClinicalTrials.gov ID
NCT06958081
Sponsor's protocol ID
88146925.0.0000.5235
Status last verified
Apr 2026
First submitted
27 Apr 2025
Last updated
1 May 2026
Results posted
No
Data monitoring committee
No
FDA-regulated drug
No
FDA-regulated device
No
Individual data sharing
Undecided: It has not yet been determined whether individual participant data (IPD) will be shared. The decision will depend on future analyses, data sensitivity considerations, and publication plans.

Publications

  • Álvarez-Díaz M, Muñiz-Bascón LM, Soria-Alemany A, Veintimilla-Bonet A, Fernández-Alonso R. On the design and validation of a rubric for the evaluation of performance in a musical contest. International Journal of Music Education. 2021;39(1):66-79. doi:10.1177/0255761420936443

  • Mazzarolo I, Schubert E. A Short Performance Anxiety Scale for Musicians. Front Psychol. 2022 Jan 26;12:781262. doi: 10.3389/fpsyg.2021.781262. eCollection 2021.

    PubMed 35153903
  • Sanchez-Kuhn A, Perez-Fernandez C, Canovas R, Flores P, Sanchez-Santed F. Transcranial direct current stimulation as a motor neurorehabilitation tool: an empirical review. Biomed Eng Online. 2017 Aug 18;16(Suppl 1):76. doi: 10.1186/s12938-017-0361-8.

    PubMed 28830433
  • Anic A, Olsen KN, Thompson WF. Investigating the Role of the Primary Motor Cortex in Musical Creativity: A Transcranial Direct Current Stimulation Study. Front Psychol. 2018 Oct 1;9:1758. doi: 10.3389/fpsyg.2018.01758. eCollection 2018.

    PubMed 30327622
  • Chinzara TT, Buckingham G, Harris DJ. Transcranial direct current stimulation and sporting performance: A systematic review and meta-analysis of transcranial direct current stimulation effects on physical endurance, muscular strength and visuomotor skills. Eur J Neurosci. 2022 Jan;55(2):468-486. doi: 10.1111/ejn.15540. Epub 2022 Jan 6.

    PubMed 34904303
  • Bikson M, Grossman P, Thomas C, Zannou AL, Jiang J, Adnan T, Mourdoukoutas AP, Kronberg G, Truong D, Boggio P, Brunoni AR, Charvet L, Fregni F, Fritsch B, Gillick B, Hamilton RH, Hampstead BM, Jankord R, Kirton A, Knotkova H, Liebetanz D, Liu A, Loo C, Nitsche MA, Reis J, Richardson JD, Rotenberg A, Turkeltaub PE, Woods AJ. Safety of Transcranial Direct Current Stimulation: Evidence Based Update 2016. Brain Stimul. 2016 Sep-Oct;9(5):641-661. doi: 10.1016/j.brs.2016.06.004. Epub 2016 Jun 15.

    PubMed 27372845

Questions about this trial

What is this clinical trial studying?

A study testing Active transcranial direct current stimulation (tDCS) in people with Musical Performance and Neuromodulation, run by Centro Universitário Augusto Motta at 1 site in Brazil.

The full registered description is in the About this study section and the official record.

Who may be eligible to take part?

The sponsor lists 7 inclusion and 6 exclusion criteria. Eligibility is decided by the study team after screening, so read the full criteria and contact a listed site.

Is this clinical trial currently recruiting?

The record says: under way, not looking for participants, as of the sponsor's last update on 1 May 2026. Status can change between updates, so confirm with the study contact before making plans.

Where is the study taking place?

The record lists 1 site in Brazil. Whether a site is taking part right now should be confirmed with that site. See every site.

What are the possible benefits and risks?

They depend on the study and the treatment, and no study can promise a benefit. Some participants in this study may receive a placebo. The study team explains the known risks during informed consent, before anyone joins; the record itself does not list them.

Are results available for this study?

This study is still under way. Results are not available in the source record yet.

How can a doctor refer a patient or contact the research team?

The record lists no contact. The official record names the sponsor, who can be asked directly. AzTrials does not enrol participants or take referrals.

What does the primary outcome measure?

Change in Musical Performance Scores (Rubric for the Assessment of Music Performance Achievement) (time frame: Baseline, immediately after intervention, and 2 hours after intervention). It is what the study was designed to measure, not a finding.

Where can I read the original study information?

On the ClinicalTrials.gov record for NCT06958081, which also lists 6 linked publications.

Does a listing mean the treatment is approved or proven to work?

No. A listing means the study is registered. It does not show that the treatment is safe, works, or is approved by a regulator.

How often is this information updated?

AzTrials copies changed records from ClinicalTrials.gov every night and reloads the whole registry every week. The sponsor last updated this record on 1 May 2026.

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